• Pour être aimé par qui

  主演：

  未知

  类型：

  电影

  导演：

  ÉmilyBarbelin

  地区：

  法国比利时

  年份：

  2022

  剧情：

  This is a piece of dramatic fiction resting on a subtle balance between social realism and highly stylized theatrical directing. In her first film, Emily Barbelin depicts the lived experience of a b详细...

• 豆瓣预告

• HD高清

  RRR: Behind & Be

  未知

• 预告片2：张杰演唱会官宣视频(中文字幕)

  张杰曜北斗巡回演唱会

  未知

• HD高清

  大象的步伐

  未知

• HD高清

  乡村音乐圣诞节

  未知

• HD高清

  周六夜现场：马丁·肖

  未知

• 预告片4(中文字幕)

  误判

  甄子丹张智霖

• HD高清

  嫂子

  未知

• HD高清

  丹尼尔·斯洛斯：傲慢

  未知

• HD高清

  Mary Lynn Rajskub: R

  未知

• 预告片

  圣哥传 电影版 ～圣人

  未知

• HD高清

  家园

  未知

• HD高清

  ありきたりな言葉じゃ

  未知

This is a piece of dramatic fiction resting on a subtle balance between social realism and highly stylized theatrical directing. In her first film, Emily Barbelin depicts the lived experience of a bunch of sex workers in a microcosm ruled by male desires that form the pattern of their nights. These men are barely seen, for in fact they are fleeting figures, either sleeping or caught in violent frenzies. In a voice-over, a woman calls out to some faraway mother, as a wintertime landscape is passing by from the window of a train, echoing the words. To be loved by whom has no plot to speak of, and is informed by a crescendo that leads to a liberating zenith. The editing is not linear, and is patterned by outbursts (of laughter, of violence, of tenderness). Why do they do this job? There is a myriad reasons, really, that may be guessed at. The film doesn’t try to explain them. The director chooses to stage the women’s shared intimacy through moments that are peripheral to their performed job: collective baths, drunken nights and joyrides, discussions around a table feeling snug in their hoodies, waiting for customers in a dark hostess bar… When she zeroes in on gazes and tired faces, her film is successfully informed by the choreography of bodies, neither sensual nor erotic. The three young women look remarkably alike. They are not sisters but together they make up a common body. “All for One, One for All” is what seems to be Emily Barbelin’s message. To be loved by whom navigates the discrepancy between the cheap costumes, the artificial, shady spaces (evocative of Fassbinder) and, on the other hand, the hypersensitivity of exchanges. These “straw girls” are universal and are caught between their quest for poetry and the dodgy triviality male desire reduces them to. 源自：fidmarseille.org/en/film/pour-etre-aime-par-quito-be-loved-by-whom/
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